Both realism and antirealism can both
be very effective in film because of the extreme differences in their
characteristics. Realism is exactly what it sounds like, real. This
is when filmmakers represent things as they actually are in real
life. Antirealism, on the other hand, is representing those same
things in a fantastical or abstract way. An example given by Barsam
is the film, Donnie Darko. In
this film, viewers are switched between scenes of Donnie's actual
life as a schizophrenic teenager, and his fantastical view of how
life really is, most notably, life with a demonic imaginary rabbit.
Another example of realism and antirealism can be seen in the film
Mean Girls. The main
character, Cady, has just moved to a regular high school after being
home schooled by her parents in Africa. More than once throughout
the film, she is shown observing her fellow students through both
realist and antirealist points of view. In her realist view, she
sees girls cat fighting in the hallway while in antirealist view, the
girls are pouncing on each other and growling just as wildcats in the
jungles of Africa would do.
The
presentation of a western film most often refers to the “long
shot”, or zooming out on a character until they are insignificant
to the shot and viewers are more focused on the landscape around that
character. In comparison, the presentation of most horror films
feature close up shots on the victim of the film. This strategy
creates suspense and is most likely accompanied by daunting music,
building suspense even further.
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